À l'Ombre du Royaume en Cendres

by Oublieth

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Maison Planàterre On aurait pu accoler le terme d'enchanteur à chaque trame musicale, puisque à l'écoute cette musique porte l'esprit à s'évader, à le laisser flotter selon les pensées du moment. Être libre... totalement libre. Favorite track: La Tour Interdite.

Bulletrider I know this might sound pathetic but the whole album feels like what lies beneath the veil of sleep and death... Invoking some kind of cosmic inner peace while travelling through an endless void yet filled with a beautiful sense of wonder which might come next.

Notarius The music is like the cover. A journey and each track a chapter. Depending on the sounds entering a valley of fireflies in the night (track 6) track 8 the goal for example. Truely epic. Favorite track: Le Cristal Illumine le Chemin.

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	1.	Éveil à Mornelance 03:17
	2.	L’Alchimiste 05:05
	3.	Sorcellerie 02:21
	4.	Le Cristal Illumine le Chemin 03:49
	5.	Chevaliers de l’Étoile Écarlate 05:11
	6.	Sanctuaire de la Vallée Cachée 03:44
	7.	Anneau Enchanté 04:12
	8.	La Tour Interdite 04:52

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"Toujours à la croisée des chemins entre ce qu’on pourrait appeler du Dungeon Synth et des trames sonores minimalistes, Oublieth a néanmoins enrichi et fait progressé ses sonorités sur ce deuxième opus, tout en restant fidèle à la fondation qui a permis à son premier album d’être une introduction des plus bienvenues dans le genre. Une fois de plus, le projet a été enregistré avec des synthétiseurs analogiques, est agrémenté d’une superbe pochette de Stephen Fabian."

Composé et enregistré en hiver 2021
Couverture par Stephen Fabian
Mastérisé par Fiel

Oublieth ne fait usage que de synthétiseurs matériels

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"Still at a crossroads of sorts between what might be called Dungeon Synth and minimalistic movie scores, Oublieth has nonetheless enriched and expanded its sound on this second opus, while staying close to the foundation that made its first album a very welcomed entry into the genre. Once again, the project was recorded with analog synthesizers, sports a superb cover from Stephen Fabian."

Recorded in winter 2021
Artwork by Stephen Fabian
Mastering by Fiel

Oublieth uses only hardware synthesizers

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released June 21, 2021

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Oublieth Quebec City, Québec

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